A tableau structured through knots that connect in sequence, converging toward the center while expanding outward.
Rendered entirely in white mizuhiki, the lines maintain tension and generate a quiet sense of spatial intensity.
In this series, Morita focuses on the intrinsic sculptural beauty of the knot itself, exploring the structures, intervals, and the shadows that emerge against the background through their repetition.
The network of knots—where order and subtle variation intersect—quietly suggests endless cycles and relationships, resonating with images of infinity that run through sculptural expressions across cultures.
Mizuhiki, acrylic gesso, wooden panel
180 × 180 mm
2026
